Women's Voices For Change

As enriching as it is to consider “Blackbody curve” in terms of its scientific allusions or placement in Samiya Bashir’s collection, it’s important to note that the poem stands on its own as an enjoyable and rewarding literary experience.

Silvina López Medin’s poem is from her newly published book 'Poem That Never Ends,' itself a study of loss, multiplicity, and containment in terms of form, language, and content.

As a visual artist and poet, Kelly Cressio-Moeller knows what she is leveraging when she evokes the color blue in the title of her debut poetry collection, 'Shade of Blue Trees' -- a word that describes not just color but also emotion and language.

Though themes and narrative evolve, “The Myths We Live” is not about just one thing, and this expansiveness is enhanced by a form that inherently offers at least twenty perspectives—kaleidoscopic indeed.

Shirley Geok-Lin Lim’s poems are set in the circumscribed worlds of home and Academia, but this is merely the way the author accesses larger issues of exile, identity, and artistic inspiration.

The careful balance S.J. Sloat strikes between elements of erasure and visual art in each poem reveals new depths upon multiple readings. The compressed lyrics sing of introspection and offer wisdom, and they are richly enhanced by the inspired variety and ingenuity of erasure modalities and concrete imagery.

Today’s is a love poem for everyone and a model for how to love expansively and wholly. It embraces us and loves us for who we are and what we do, and its range allows each of us to feel seen and recognized.

The poem is a love song both to my husband and to a city that I find endlessly fascinating and frustrating, and that I miss, especially in this travel-free year. —Chloe Martinez